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Furthermore, you can use various tools from the toolbar menu – select (move to, trash), pan (overlay, watermark), zoom (pick focus point, loupe), crop (add or remove aspect ratio), straighten (rotate freehand), Keystone (vertical, horizontal), remove spots, local adjustments (draw, erase, toggle mask display), effects (pick white balance, skin tone, shadow level, etc.), and apply adjustments.
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- Obviously, the Express version does not have all the features of the Pro edition. You don’t get layers based on local adjustments, Capture One Pro’s tethered shooting tools, and ‘Sessions’ based workflow, perspective corrections, and spot removal. That sounds like a long list, but the list of what you do get is even longer.
- For a start, Capture One Express Fujifilm has the full program’s cataloging tools. Once you’ve imported your raw files into the catalog, you can organize them by folder or into Albums and Smart Albums. You get a full set of search and keyboarding tools too.
- Capture One Express Fujifilm will also display images from other camera brands, whether they’re JPEGs or raw files, but other raw formats can’t be edited.
- The editing tools are straightforward and effective. They’re arranged into ‘tool tabs’ for Quick adjustments, Lens corrections, Color, Exposure, Details, Adjustments (Styles and Presets), and Metadata. Each tool tab has collapsible adjustment panels, so the Quick tool tab, for example, has White Balance, Exposure, High Dynamic Range (shadow and highlight adjustment), Black & White, and Clarity panels.
- Without the advanced controls and local adjustments of the Pro version, there’s only so far you can go with your raw files before you need to swap to another image-editor for complicated effects, layers, and local enhancements, but Capture One Pro can still deliver beautiful high-quality processed raw files to Photoshop, Elements, Affinity Photo or any other editor of your choice.
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